October 10, 2010

A Prophet (2009)

4.9/5

Jacques Audiard's A Prophet tells the story of 19-year-old Malik (Rahim). He is sentenced to prison for 6 years for assaulting a cop. He is very rapidly educated on the prison hierarchy and code. On the first day he is kicked and beaten for his sneakers. On the second day he is extended a proposition by Luciani (Arestrup): kill newcomer Reyeb (Yacoubi) or be killed. Liking neither option, he attacks another prisoner in the hopes that he is sent to solitary confinement. But he discovers that Luciani is the prison overlord and he has influence even over the security guards. Malik must accept. He is instructed on how to conceal a razor blade in his mouth. At the right moment, he will grip it between his teeth and slit Reyeb's carotid artery. He practices many times in front of a mirror, every mistake causing blood to flow from his lips. When the time finally comes, he messes up. And it leaves him trembling.


This is only the beginning of the film. It still has 6 years and 2 hours to go. We come to care for Malik. We sympathize with him. And because we like him, we root for him. We want him to rob efficiently, threaten brutally, and kill successfully. We want him to climb the ladder as high as possible to get the revenge he deserves. We quickly forget that he is a criminal. We ourselves get indoctrinated into the values of the prison world, on the importance of power and respect above all else. And when the film ends, we can only watch in silence and awe at the person he becomes.

The movie is impeccably directed, from the visceral cinematography to the tense editing. Every technical aspect in this movie is astounding to see. The film offers plenty of social commentary in its thematics to ponder and discuss, but the acting is where this movie shines. Rahim and Arestrup are absolutely mesmerizing. We believe them every second of the film. From terrified to terrifying and vice versa, these actors play characters who hide their emotions as much as possible and they do it with the necessary subtlety and nuance. Their transformation is so gradual that it turns invisible, believable, and all the more shocking. It is a phenomenal achievement. And one that should not be missed.