Showing posts with label 1937. Show all posts
Showing posts with label 1937. Show all posts

December 24, 2010

Make Way For Tomorrow (1937)

2/5

Make Way For Tomorrow is a movie about an elderly couple (Moore, Bondi) who gather their kids together to announce that the bank is taking their house for failure to make payments on it. None of their children can seem to find enough room in their houses, their schedules, or their lives to take them in except for one son (Mitchell). He only has enough space for his mother, so he manages to convince his sister (Risdon) to put up their father until a more permanent situation can be sorted out. And so they are forced to go their separate ways after 50 years of marriage. They miss each other dearly as they try to adjust to their new living arrangements.


The movie itself was competent, but it was overwhelmingly heavy-handed and blunt in its message. It felt like they were hitting me over the head with every lonely composition and sad line of dialogue. Despite the sappy melodrama, a number of parts actually felt realistic. The parents themselves were somewhat annoying, which made the children's frustration easier to relate to. The entire movie was slow-paced, to match the speed of speech of the parents as they complained about random things. The last half of the movie felt a little more spirited--although it didn't make the movie go by any faster--as the couple reunited and relived the happiness they shared in their youth. The most powerful moment for me was a bit earlier on, however, when they are talking on the phone and you realize how much they sacrifice for the little happiness they get by being with each other. All in all, I am not a huge fan of this movie, but then again I am not yet a curmudgeonly grandfather who has shared the majority of my life with a meddling grandmother, although I fully intend to be when I grow up.

IMDb link: http://www.imdb.com/title/tt0029192/

February 16, 2007

The Grand Illusion (1937)

4/5

The Grand Illusion refers to war--the Great War, and every other war. Renoir shows how life and social interactions remain unchanged in times of war; are we really in a war then? But its thematic underpinnings go so much deeper. Countries themselves are illusions, separated only by man-made, self-imposed differences. Even language is an illusion; with the right person speaking, the right emotions on display, the engaged listener, it doesn't even matter what words are coming out of their mouth. This was Renoir's point of view, and it seems a little too idealistic and romantic for me to believe. Also, I was not particularly impressed with the acting, the editing, or the music, but the story (on thematic and emotional grounds) and the camerawork were absolutely stunning. Without a doubt, Renoir knows long tracking shots and mise-en-scene.

IMDb link: http://imdb.com/title/tt0028950/