Showing posts with label barry corbin. Show all posts
Showing posts with label barry corbin. Show all posts

June 28, 2008

In the Valley of Elah (2007)

4/5

Paul Haggis's In the Valley of Elah manages to be touching without the oversentimentality that usually suffocates his films. Based on a true story, the movie follows Tommy Lee Jones as a retired career officer who starts investigating the disappearance of his son after his return from Iraq. From the very beginning, the mystery is paced exceptionally well, continually pulling you in and keeping your brain active the entire time. While not as gripping as A Few Good Men (and ultimately not as good, in my opinion), it is without a doubt more timely and relevant.

The acting was really good, although I think Tommy Lee Jones was better in No Country for Old Men than in this. Much of it was subtle and understated, making it feel richer and more genuine. Paul Haggis used a number of extended shots to give the actors room to act, instead of cutting between shot/countershot close-ups across 30 different takes. He has definitely learned to use the camera to compose interesting shots and movements. (One of my big arguments against Crash is that it had almost zero cinematic qualities; it's good to see that Haggis is finally learning.) If you were interested in this flick when it first came out, I definitely recommend you see it. And if not, perhaps you should consider it anyway.

Note: It was awesome seeing Tommy Lee Jones, Josh Brolin, AND Barry Corbin all in this film. It's like all those bad comedies that become so much better because of cameos from side characters on the Office. Except it's cameos from No Country for Old Men!

IMDb link: http://www.imdb.com/title/tt0478134/

November 23, 2007

No Country for Old Men (2007)

5/5

Watching this movie again, after contemplating it for half a year, I am struck by how much I remember. How every single scene in my memory matches perfectly what I was watching on screen today. Every frame is burned in my brain. The story allegedly focuses on a cowboy who, upon finding a stash of heroin and two million dollars in cash, is chased by a ruthless killer who will stop at nothing to retrieve the money. But to say that is what the movie is about is to deny it depth. It is not about a specific story set in a specific place and time, but about the darkness in man, the descent of society, and how we are helpless to prevent our own downfall. Aside from the pure thrill rush of seeing such a flawlessly-crafted movie, its insight into humanity will ensure its place in the annals of film history.

No Country for Old Men is the latest by the Coen brothers, who are known for their ability to remold every genre and inject humor into even the darkest of situations. The first time I saw this movie, I don't think I ever laughed. Or smiled. I was too scared to. In terms of suspense, this movie outshines even The Silence of the Lambs. But there are so many humorous moments to even out the bleak, soulless remainder of the movie. What the Coens have achieved is an atmosphere that is completely unique; they have put us in a world that is completely their own. We have no way of predicting what will happen next or how the movie will end because we have never set foot in a world quite like this one.

Technically, there is not a single misstep or error. Every composition and camera movement is accomplished with such purpose and precision. There is something tranquil and calming about the way they shoot the barren landscapes, terrifying and tense about the dark hotels and pooling blood. The editing is pristine, and its role extends past mere function into thematics. In the Coens' refusal to show certain events we consider essential, we realize the true essence of the movie. The acting by Josh Brolin and Javier Bardem is spot-on, but Tommy Lee Jones's portrayal of Ed Tom Bell is absolutely spellbinding. He quite literally becomes his character, emanating his very being without needing to speak a single line. A shift in his weight or a sluggish turn and we know more about him than any words could tell. That is not to say the dialogue is unnecessary--it is brilliant and profound, unnerving and unforgettable. At the end of this movie, you will sit there stunned. And you will remember it for a long time to come.

IMDb link: http://imdb.com/title/tt0477348/