Contagion (2011)

4.9/5

Steven Soderbergh's Contagion is a phenomenal, finely-crafted film. This doomsday thriller uses an exquisitely contagious pathogen to intertwine the lives of people around the world. The movie starts with Beth Emhoff (Paltrow) after she develops an annoying cough. She flies home from China to meet her husband (Damon) in Minneapolis and manages to spread it across Kowloon, Guangdong, Chicago, and San Francisco within days. Scientists at the CDC (Ehle, Martin) and WHO (Cotillard) are racing against the clock to find patient zero and treat the disease. Dr. Cheever (Fishburne) and Dr. Mears (Winslet) begin isolating known contacts, quarantining the sick, and dealing with the press while an internet blogger (Law) proclaims the miracles of a homeopathic drug. Seemingly minuscule actions rapidly spiral out of control and we cannot help but try to follow along at its breakneck speed.

There is an intensity and urgency to everything about the movie; its feverish pace is electrifying. The film manages to pack a lot of content into its 90-minute running time, and luckily this movie has some very intriguing thematics and hypotheticals from every sphere of society for you to ponder. Technically, the filmmaking is exceptional. Soderbergh switches between storylines swiftly and smoothly without it feeling startling or obnoxious. The acting is pristine and believable, which is difficult to do considering the somewhat alien and unpredictable scenario. The writing is equally authentic. The challenge in medical films is getting the science right, but Contagion does it with aplomb. There is nary a misstep in sight, despite a few improbable stretches of the imagination for the sake of artistic license. It's not quite a perfect movie, but Contagion has just about everything you could want in a movie and I can't wait to watch it again.

IMDb link: http://www.imdb.com/title/tt1598778/

Taking Woodstock (2009)

3/5

Ang Lee's Taking Woodstock is a curious film because it seems to have an uncertain target audience. The plot follows Demetri Martin and his crazy mother Imelda Staunton who run a cheap hotel on the countryside. At risk for defaulting on their mortgage, they attempt to convince the music festival Woodstock to host in their city in order to gain heavy hotel traffic. Suffice it to say, the plot is not the film's strong suit. My favorite aspects of the movie were the characters and the acting. They were all fascinating personas, adeptly portrayed, but I feel like I have no idea why they did the things they did. I didn't really understand their motivations; their "complexities" remained wholly nebulous to me. I also enjoyed the comedy, but it felt very subdued and infrequent, as if it were not the main focus of the movie. I am not sure what the main focus of the movie was, in fact. Most of the filmmaking was not particularly memorable, including cinematography, editing, and music. All in all, I didn't find this to be a particularly impressive film, especially coming from Ang Lee, but it's not bad per se. I'm just confused as to its purpose.

IMDb link: http://www.imdb.com/title/tt1127896/