Margin Call (2011)

4/5

Margin Call chronicles the beginning of the recent economic downfall from the point of view of the insiders within Lehman Brothers who first discovered the impending collapse. Although the script occasionally feels repetitive or simplistic, it is sharp, incisive, and filled with thematics that span far more than this particular financial crisis. It is augmented by a spectacular cast with exceptional performances. It's been a while since I've seen Kevin Spacey in such a phenomenal role, and he does not disappoint here. He brings maturity, subtlety, and humility to a towering character. He delivers his lines with precision, power, and nuance.

The director manages to turn the talk-heavy screenplay into a thrilling, energetic film (although perhaps punctuated by a few too many shots of shocked faces). He makes investment banking vernacular exciting, focusing on power plays to allow us to witness experts do what they do best. For me, nothing is as awesome as seeing professionals perform, and we get all that and more in Margin Call. Highly recommended.

IMDb link: http://www.imdb.com/title/tt1615147/

Deconstructing Harry (1997)

4/5

Deconstructing Harry is a hilarious foray into a neurotic writer's life and mind. Harry Block travels to upstate New York where he's going to be honored by his old college. On the way, he gets a chance to reflect on the choices he's made, both in his writing and in his life. His stories and the characters that inhabit them stem from real people and real events, which has often caused anger and resentment by those whose secret and personal lives he's put on display through his work. I love this movie because it is both meaningful and entertaining. I found myself laughing the entire time. But it also made me think about this writer's life, how he took advantage of it, and what his creations (or are they merely alterations?) mean to himself and to others. Deconstructing Harry is an absolutely wonderful and delightful fantasy about real life that is witty, nostalgic, and philosophical all at once. I loved the acting by all parties and especially enjoyed spotting soon-to-be-famous actors in small roles (Tobey Maguire, Paul Giamatti, Jennifer Garner, etc.). I am in love with the way he made Robin Williams (and himself, later) blurry and out of focus while the rest of the scene was crisp and sharp. I wish I knew how he did it. You can see Allen's creativity positively brimming and overflowing in this movie (although not as profusely as in Annie Hall).

I fail to understand the purpose of the neurotic editing, except perhaps as a banal and gimmicky way of putting the director's own flightiness and anxiety into his work, as Harry Block replicates his life in his writing. Using this editing style to start the movie was extremely off-putting. Some scenes feel rather pointless, without adding much to the table in terms of plot, humor, or pathos. Also, most of the movie is told from Harry Block's point of view, and as such takes on a cynical and misogynistic quality, which obviously may not be for everyone (take his version of Hell, for example). Otherwise, though, a thoroughly fantastic movie that I enjoyed and appreciated from start to finish.

IMDb link: http://imdb.com/title/tt0118954/