Showing posts with label dev patel. Show all posts
Showing posts with label dev patel. Show all posts

July 23, 2012

The Best Exotic Marigold Hotel (2011)

3/5

The Best Exotic Marigold Hotel is a fairly predictable feel-good movie about a group of exceptionally uninspired characters who, for various personal reasons, all end up at the titular Indian resort for the elderly. One is looking for his long-lost love (Wilkinson), one is recovering from the loss of a loved one (Dench), one couple is examining possible retirement homes (Nighy, Wilton), one Lothario (Pickup) and one gold-digger (Imrie) are looking for partners. Oh, and of course, one is a racist who actually has a heart of gold (Smith), shuttled off to a foreign country for reasons well beyond her control.


All in all, the movie is entertaining and enjoyable. It has its moments of laughter and bittersweet tenderness. And it ends with a particularly stirring image. But for all the tearjerking, it's a rather simple exercise in plotting and characterization. It feels more like a postcard of India filled with caricatures than a believable story. The characters simply don't feel realistic; they change the whole course of their life based on a few days in a foreign country. But unlike this movie, people don't actually change so dramatically after going on a vacation and being exposed to new and different ideas. Even people who realize that something needs to change in order for them to be happy don't do it willy-nilly. (And I still can't for the life of me figure out why the racist lady all of a sudden becomes un-racist.) It's fine as far as entertainment goes, but it doesn't feel like it holds much substance in the end.

IMDb link: http://www.imdb.com/title/tt1412386/

January 25, 2009

Slumdog Millionaire (2008)

5/5

Danny Boyle's Slumdog Millionaire was a completely unexpected triumph in cinema. Every aspect of this film works harmoniously with the other parts. From the inventive writing to the fast shutter speed cinematography, this movie provides an experience you are not likely to soon forget. Not only is it memorable and creative, but it's also a feel-good piece of entertainment.

Set in present-day India as Jamal Malik is about to win 20 million rupees on Who Wants To Be A Millionaire, the movie goes back in time to reveal how his life story has served as a precursor to give him all the answers he needs to win. This framework could be the downfall of a lesser film, but in this one it fits perfectly. The cinematography resembles Christopher Doyle/Wong Kar Wai on methamphetamines. It is exhilarating, breathtaking, and reinvigorating. The music keeps your blood pumping while maintaining the mood and vibrancy of the locale and time period. The editing is tight, the pacing flawless.

The story itself, the dialogue, the characters, and the acting are all spellbinding. Everything is heartfelt, enriching, and filled with empathy. Everything was purposely chosen for its effect, and chosen correctly. Nothing happened by chance, nothing was left to mediocrity. Boyle wasn't even content to let the subtitles be average; he elevated them across the screen, colored their backgrounds. This gangster drama romance is one of the best of each of its individual genres, and without a doubt the most successful at incorporating and unifying each distinct genre into a brand-new, profound, and moving experience.

IMDb link: http://www.imdb.com/title/tt1010048/