The Son of No One (2011)

2/5

The Son of No One is a middling and uninspired character study of a rookie cop with a dark past and a ridiculous mustache. Tatum plays Officer White to utter mediocrity. He is unlikable, unsympathetic, and bland. All the other characters are even less appealing. The story is straightforward to the point of mind-numbing simplicity. Dito Montiel's directing is remarkable only because he manages to stretch out a 30-minute short story into a feature-length film by filling it with long pauses and shots of people deep in thought. The one thing I commend Montiel for is achieving a phenomenally dark atmosphere and tense mood throughout. It kept me on the edge of my seat, although I felt foolish for doing so after discovering the big picture. The mood, while well-done, placed an unnecessary heaviness on the film and made it altogether too dreary and depressing. I would avoid this hodgepodge of mediocrity unless you're a huge Channing Tatum fan (and even then you'll probably be disappointed by his silly facial hair and flat acting).

IMDb link: http://www.imdb.com/title/tt1535612/

The Ice Storm (1997)

4/5

I didn't know much about Ang Lee's The Ice Storm when I saw it, so it took me a while to internalize the time and place. But understanding the setting--70's suburbia in the midst of their own version of a sexual revolution--is integral to fully appreciating the film. The story looks at both the parents and children of a dysfunctional family, and each generation's exploration of freedom in sexuality and inebriation, both different and identical. It is a world so very far from ours, and at the same time so near, that we are able to laugh at the forgotten customs and traditions while simultaneously picking up on the tragic nature of their current expressions.

The Ice Storm examines the paradox of family: how we can distance those we grow closest to, how we can hate those we love most, and how we require security but want excitement. There is a sense of impending doom, a foreboding heaviness, that keeps you breathless in anticipation for the full running time. It is a testament to Lee's abilities that he can insert moments of laughter without cutting the tension. We always know that something will happen to these people, these people so desperate for release and escape. It is the inevitable outcome of human nature.

Technically, the movie worked well. The editing especially was stellar, as it interwove multiple stories with such immaculate precision that we not only remember every complex character, but we also understand their motivations, their wants and fears. The acting brought to life already strong writing. Still, a lot of the movie was just flat-out weird and unconvincing. As in other films by Lee, the movie was peppered with unnatural angles, discontinuous blocking, and bizarre compositions. Much of the cinematography seemed drab and underwhelming, but maybe that is the point? Regardless of any minor flaws, this film goes highly recommended by me.

IMDb link: http://imdb.com/title/tt0119349/

Thank You for Smoking (2005)

5/5

Thank You for Smoking is, quite frankly, amazing. It is one of the few comedies I've seen that I think can be considered a film and not just entertainment. What separates it from its comic contemporaries is that it's made with a love for the craft of filmmaking. There is a desire to fill every frame with beauty, to tell the story and jokes through moving pictures instead of words, to go above and beyond merely adequate and take full advantage of all the medium has to offer. The plot centers on Nick Naylor, spokesperson for big tobacco, as he fights lobbyists who want to put an image of skull and crossbones on cigarette packs. But that is not what the movie is about. It is about him being a father, raising a child who looks up to him like he's God. It is about argument, communication, and language. It is about people who change and people who don't; it is about coming to terms with one's purpose.

Every character is fully realized, thanks to excellent writing, casting, directing, and most importantly acting. And everyone is hilarious. I never found myself wishing the "funny" people would be on screen more, because they were all funny. The editing is incredible. Nothing is lingered on, our interest is piqued at every second, and the comic timing is flawless. The character and plot development unfold with ease and the most pristine pacing I've seen in a comedy since Charlie Chaplin. CGI is used subtly to accentuate the humor already there without drawing attention to itself. The dialogue is spot-on. Every joke hits with unerring precision. The camerawork and compositions are truly breathtaking, more evocative than most movies and on par with the best. Every single technical aspect is there in full force. And it is a fulfilling film, a satisfying one. After you stop laughing, you realize you learned something important, you gained more than just a quick euphoric feeling. You witnessed art.

IMDb link: http://imdb.com/title/tt0427944/