Traffic (2000)

4/5

Steven Soderbergh's Traffic weaves an intricate, spellbinding tale that is nearly impossible to take your eyes off of for its entire 2.5 hour running time. The plotting is impeccable, keeping you engaged whether detailing the intricacies of drug consumption or the complex involvement of governments on drug trafficking. The stories, as penned by Stephen Gaghan, are eye-opening and richly-textured. We are thrust into a collection of environments so authentic that we cannot help but take the events that pass as reality. We become involved and complicit; we end up shaken and unclean. Every person has a little bit of good in them and a little bit of bad in them, making decisions equal parts wrong and equal parts right. There are heart-breaking scenes in here, made all the more powerful thanks to superb acting, that combine with profound and provocative ideas to bring home a very specific message: the war on drugs is a lost cause. The film ends on a solemn, haunting note, showing us characters continuing to fight a battle that will never end and will only take more lives. Everything feels so overwhelming, and we are all so helpless to effect change.

But despite my high praise, the movie also fails on a number of levels. Honestly, I hated the editing. The pacing was practically non-existent, with innumerable superfluous scenes cut together haphazardly. (Not that the movie was boring per se, just that there was about 30 minutes of extra footage meandering throughout its nonlinear storyline.) The editing was almost as bad as some of Soderbergh's directing decisions. Really? Blue, orange, and red? That's your big contribution to the story? I'm not saying it's not a well-directed movie from other standpoints, just that the colors were a bit too in-your-face for me. It was about as subtle as a sledgehammer. But Soderbergh still somehow manages to fill our minds and our hearts to their breaking point, giving us a timely and timeless story that is both absorbing and poignant. And also unforgettable.

IMDb link: http://www.imdb.com/title/tt0181865/

Haywire (2011)

4/5

Steven Soderbergh's Haywire is a tightly-paced action thriller about a covert ops agent (Carano) who is double-crossed by her boss (McGregor). If the plot feels tired and rehashed, that's because it is. Story-wise, nothing about this movie is all that new or interesting, despite the scriptwriter's best efforts at infusing it with twists and turns. Two things make this movie good, and two things only. One is the directing and the other is the fighting. And there are a lot of fight scenes. Soderbergh avoids the frenzied over-editing you find in lots of modern action films and keeps the camera far enough away so you can actually tell what's going on. The fighting feels authentic thanks to the lead, Carano, who is an MMA fighter and American Gladiator. Unfortunately, she's not a great actress. Her lines are cold and hard, so half the time she manages to sound like a badass and the other half she sounds like an idiot reading a script. If you know what to expect going in, this movie will more than live up to your expectations, but it's far from a genre-bending production.

IMDb link: http://www.imdb.com/title/tt1506999/

Falling Down (1993)

2/5

Joel Schumacher's Falling Down follows an unemployed defense worker (Douglas) with a temper problem. Seeing "flaws" and "problems" in society, one day he violently and psychotically lashes out against them. A cop about to retire (Duvall) spends his last day trying to hunt him down and stop his violence. The characters are very much off the wall and unique, yet don't quite work. They're too extreme. The story escalates formulaically, but doesn't follow the formula to the end. It starts too exaggerated and goes sideways halfway through instead of finishing with the explosive finale expected. The acting was actually pretty good (Duvall's laugh was amazing). I liked the intro (a ripoff, but a good ripoff, of the intro to 8 1/2); it was incredible at eliciting discomfort and an unsettling atmosphere. The rest of the movie is so ludicrous that it becomes laughable, but is fun and funny in its caricatures. This isn't a good movie, but it's enjoyable in the same way Sameer can place Crash in his top ten comedies.

IMDb link: http://imdb.com/title/tt0106856/