Natural Born Killers (1994)

3/5

Oliver Stone's Natural Born Killers is a frenetic film, filled with so much energy and bombast it practically leaps off the screen and slaps you in the face. The movie follows Mickey (Harrelson) and Mallory (Lewis), two lovers who go on a mass murdering rampage, and the media that glorifies it. In the wake of recent school shootings and suicides publicized on Twitter, it feels even more timely than ever. People will always want their 15 minutes of fame, no matter how they get there.

The movie is visceral--it shouts loud and it hits hard--but somehow manages to be less graphic than more modern movies. It is violent, though, in every sense of the word: an offensive assault on our senses and sensibilities. Its aggressive pacing involves us in the story, exhilarating us and titillating us without giving us any room to breathe and process what we see. And we become awe-struck by the images of violence on the screen. Is that not precisely the kind of voyeurism we are supposed to condemn?

But despite what he has to say, Stone uses a sledgehammer to pound his point home. To say it lacks subtlety is to say that an elephant is larger than a mosquito. It blasts its message nonstop, using anything and everything from random video projections in the background of scenes to story elements like Downey Jr's sensationalist television series. It leaves nothing to the imagination, and our imagination is stronger and more horrific than anything Stone has to say.

Tarantino came up with the story, and I can tell that if he directed this it would have been a masterpiece. But Stone's version is messy and chaotic, unvarnished and unfocused. I'm glad I saw the movie just so I can say for sure that I don't need to see any more Oliver Stone films. Not that this is a bad film; it's just not my style. There's nothing deeper here than what Stone shows you. But Natural Born Killers does spark the conversation, and that's definitely worth something.

IMDb link: http://www.imdb.com/title/tt0110632/

Django Unchained (2012)

4/5

Quentin Tarantino's Django Unchained is an unforgettable film. The plot, which follows the recently-freed slave Django (Foxx) and his bounty hunter partner Dr. Schultz (Waltz), propels itself forward at an almost unstoppable pace. It contains so much forward momentum from simplistic plot devices that, when a sharp turn near the end is revealed, it forces you to stop and catch your breath. The whole heartbeat of the movie skips. And you sit there re-evaluating what exactly it is that you just watched.

I initially left the movie filled with disgust and revulsion. I found it terrifying in every sense of the word: to witness the way that people act, how they treat other human beings, when they feel as if there are no consequences for their actions. Tarantino lays bare the darkest qualities of mankind, and does so in such an entertaining way that we become partners in the filth. How devious of him.

But the more I thought about it, the more compelling I found it. That primary emotional response of horror is intentional; DiCaprio performs a difficult role seemingly effortlessly. He is more charmingly evil than Waltz was in Tarantino's previous Inglourious Basterds, which I never would have thought possible before this movie. He is simply spellbinding.

But what is the point of the movie? Perhaps Tarantino is using his lens to reflect on modern society. Or perhaps it's just an exploitation film about a bygone era. Does there have to be a point? People said the same thing about Pulp Fiction. Is it superficial style or is there something hidden deeper within? I still don't know the answer, to both films. But I believe that, with any movie, you get out what you put in. And the more I think about Django Unchained, the more I am discovering, both about the film and about myself.

IMDb link: http://www.imdb.com/title/tt1853728/

Inglourious Basterds (2009)

4/5

Quentin Tarantino's Inglourious Basterds is a stunning film, but it is by no means Tarantino's best. The story follows several tracks that all converge on one night for the premiere of a German propaganda film called Nation's Pride (fake trailer here). The first track is that of a group of merciless Jewish Nazi-killers known as The Basterds, led by Lt. Aldo Raine (Pitt). The second and third tracks concern a young Jewish girl named Shosanna (Laurent), who just barely escapes with her life after SS Col. Hans Landa (Waltz) kills her entire family. There are a few more tracks involving actors and actresses and translators and Hitler as the movie closes in on its explosive finale, but I'll leave that to you to experience when you watch it.

One thing that really irked me was that the intro credits, the musical style, and even the chapter narrative structure are all straight-up stolen from, or at least strongly reminiscent of, Tarantino's last stand-alone project, Kill Bill. The problem is that those aspects weren't even the best part about Kill Bill, which leads me to believe he's running out of creativity. For example, the Samuel L. Jackson narration, which probably seems cool on paper, ultimately feels empty on screen (mostly because he has nothing important to say). Also, while better than most movies, the dialogue in Inglourious Basterds isn't as luscious as I know he's capable of, and I feel the replay value will probably suffer as a result. Despite these disappointments, Tarantino is effective at building tension from simple situations and maintaining it over a 2.5 hour movie through stellar cinematography, lighting, and editing, which are all up to his usual exquisite form. I definitely recommend this movie to Tarantino fans, just understand that there's nothing revolutionary about it. In fact, it sits rather low on my ranking of Tarantino films. But it's still a quality film that's worth watching.

IMDb link: http://www.imdb.com/title/tt0361748/

Grindhouse (2007)

4/5

Grindhouse is pure entertainment of the most guilty form. And two movies for the price of one! With the most hilarious trailers in between them! I don't remember the last time I had this much unadulterated fun in a movie theater. I've seen "better" movies in theaters recently, but never enjoyed myself this much.

The first movie, Planet Terror, is from Robert Rodriguez, who has always loved the exaggerated. This is why the El Mariachi trilogy was so successful--it is excessive. But in Grindhouse, Rodriguez really lets loose. And being a grind house film, he has an excuse to. Planet Terror is everything I expected: gory, gross, and cheesy. Heads explode, penises melt, guns attached to amputated stubs shoot rockets. This is the kind of movie you'll watch in a theater and come out cheering, "THAT WAS AWESOME!" But it doesn't just copy other movies without a life and mind of its own. There is a "missing reel" in the movie, which Rodriguez cleverly uses to advance the plot without wasting our time. Rodriguez also uses stock footage effects to enhance our moviegoing experience, rather than detract from it. This is loads of fun, but be warned: it is disgusting and definitely not for everyone's palate.

The second movie, Death Proof, is from Quentin Tarantino. Every single one of Tarantino's movies has been a spin on a typical genre, and Death Proof is no exception. Like most of his movies, there is a ton of dialogue, and it is all luscious. It is like silk in your ear. But coming after Rodriguez's movie, I felt a bit disappointed. Wasn't this supposed to be a grind house film? Well, it is, in a way, and it isn't, in Tarantino's way. It has the same elements: sexploitation, blaxploitation, psychotic murderers, and old muscle cars. But there is something undeniably fresh about the way Tarantino puts it all together. And despite what I said coming out of the theater, upon reflection I see it as a movie that can and should stand on its own as an excellent example of Tarantino's style. It is actually good filmmaking. I don't know how well it works as the second half of Grindhouse, because Planet Terror is raw, old-school, brainless fun and Death Proof is polished, new, inventive art. It's an interesting dichotomy. Regardless, I would recommend you check Grindhouse out in theaters if you still can, because this is not to be missed on the big screen.

IMDb link: http://imdb.com/title/tt0462322/