Looper (2012)

4/5

Rian Johnson's Looper is a smart, slick film. It takes place in a future where time travel and telekinesis co-exist, where the disparity between the rich and the poor is offensively stratospheric, and where "loopers" kill people from the future and incinerate their bodies. Much like Children of Men, Looper gives us a believable, richly-textured, and incredibly-detailed world while simultaneously advancing an expertly-paced thriller plot. Both the setting and the story are complex and tapestried, both surprise you time and again, and both keep your neurons firing non-stop. The plot is intelligent and fresh, interesting but not too cerebral. It is a marvel of imagination and storytelling. But for me it's missing something.

Except for the Drive-level ultra-violence and over-the-top blood, it's a movie that checks all the right boxes, and yet somehow it doesn't excite me as much as it should. The acting is on-point, the script is well-written, the cinematography is beautiful, the editing is tight, and the directing is pristine. Every individual element is impressive on its own, but they don't cohere into something that truly thrills me. No matter how much I enjoyed the film on an intellectual level, I simply couldn't engage with it on an emotional one. I can't wait to rewatch this movie in case I find myself in the latter camp, but I'm doubtful I'd make the crossover. I can see this movie being very special for many people; as of now it's just not for me.

IMDb link: http://www.imdb.com/title/tt1276104/

The Brothers Bloom (2008)

5/5

Rian Johnson's The Brothers Bloom is the best con movie to come out in years--maybe ever. It exceeds standards set by its predecessors on what a con movie needs to be, and sets brand new ones for how entertaining and enjoyable it can and should be. It keeps you hooked and in control for the first 2/3, then spins wildly and wonderfully beyond your grasp for the last 1/3. You are wholly lost in a grand mosaic of deceit, lies, and cons on top of cons. You never quite know for sure who's playing whom and who will emerge at the top of the pile. You have suspicions, but you're never 100%. And because the foundation of the story itself is built on shifting sand, nagging doubts incessantly pepper your predictions. It's absolute bliss for anyone enamored of the genre.

From start to finish, Rian Johnson's creativity and inventiveness plastered a grin on my face and kept it there. We are introduced to the brothers with a poem, one that subtly foreshadows the puckish yet poignant mood of the piece. And one that is referenced again at the end, as the entire piece is brought back full circle. The movie playfully prides itself on anachronisms with a self-referential, tongue-in-cheek attitude. It joyously combines 1940's costuming with 1970's music and modern technology to create an altogether novel and singular experience. The cinematography is subtle but powerful and the editing clean and brisk. The acting is spot-on, the characters rich and unique. The plot and dialogue are smart, sharp, and simply sublime. It all combines in perfect harmony to create a movie that is fresh, fun, and stimulating on numerous levels. Watching it was pure ecstasy for me. I cannot recommend it highly enough.

IMDb link: http://www.imdb.com/title/tt0844286/