Showing posts with label roberto benigni. Show all posts
Showing posts with label roberto benigni. Show all posts

July 19, 2011

Down By Law (1986)

2/5

Jim Jarmusch's Down By Law was an utter disappointment. The plot follows three prisoners (Benigni, Waits, Lurie) as they are sent to jail and as they escape. The movie plods along at a laborious pace; reviewers infatuated with Mr. Jarmusch may call it something more flattering like patient or rambling. Whatever you call it, it practically put me to sleep. The acting is atrocious and amateurish, although I wouldn't be surprised if someone told me it was meant to be "realist," "cinéma vérité," or some other elitist excuse for being bad. The actual filmmaking is just as low-quality as the acting. Quite frankly, this whole movie looks and feels like a film school project. And not just any film school project, but the one made by that weird kid who thinks he's got great ideas but everyone else just sees bad execution. The sound capture was pitiful; there was clearly one audio capture device and it was stuck on the front of the camera. And why is it black and white? (Probably ego, to answer my own rhetorical question.) While there was some comedy, I attribute it less to the film as a whole and more to what I can only assume is Mr. Benigni ad-libbing lines. Unless you're a big Jarmusch fan, I would avoid this movie.


IMDb link: http://www.imdb.com/title/tt0090967/

December 21, 2007

Night on Earth (1991)

4.9/5

Night on Earth is a darkly comic drama about five taxi rides occurring simultaneously around the world--in LA, New York, Paris, Rome, and Helsinki. It is about chance encounters and the personal connections we make on a human level. It is about the humor in life, and the sadness. The first time I saw this movie, the ending absolutely floored me. This time, I can see the build-up, the gradual integration of the funny and the sobering, and still it hit me hard. I see this movie and I think, this is life. This is an accurate depiction of what humanity is capable of, in all our glory and our shame.

Despite its rather limited setup, the compositions still seem fresh and beautiful. I don't know how Jarmusch did it, but everything looks good and feels right. The writing was pitch-perfect and the acting matched. Unfortunately, the editing seemed off to me. For some reason, it lingered way too much. And it kept breaking the tension by cutting to external shots of the cabs going through the cities. Watching it again, it didn't seem as hilarious as I first remembered, although it was more touching. I cherish this movie, and highly recommend it to anyone who gets the opportunity to see it.

IMDb link: http://imdb.com/title/tt0102536/