The Conjuring (2013)

4/5

James Wan's The Conjuring is a compelling piece of horror entertainment. It will make you jump out of your seat while watching it and make you afraid of the dark for days after finishing it. The movie claims to have been extracted from the case files of the same real-life self-proclaimed "paranormal experts" (Wilson, Farmiga) who brought you The Amityville Horror, but it won't convince any skeptics. I'm not sure why they spent so much of the movie emphasizing the "based on a true story" premise when the story and acting turn out to be so forgettable. If anything, it made the movie less scary. While we can always go back and try to poke holes in the "facts," we will automatically suspend our disbelief for a film that is up-front about being fictitious.

Where the movie shines is in its pacing, cinematography, and atmosphere. The movie starts slowly, building up an unease and tension that gives you a chance to exhale just frequently enough so you don't pass out. Wan conceives of haunting imagery that will stick with you, from dolls to jack-in-the-boxes, and lets your mind run wild. He lulls you into a state of calm before a torrential storm that you know is coming. And he does it so well. The Conjuring does just about everything right in a horror movie, but it doesn't do anything extra. And that is my biggest frustration with this movie. Nothing elevates it past its genre status, and it remains a one-trick pony for the people who already like that one particular trick.

IMDb link: http://www.imdb.com/title/tt1457767/

Drinking Buddies (2013)

3/5

Drinking Buddies is a fairly standard indie romantic dramedy with quirky characters and a mildly unique perspective. The plot follows two brewery co-workers, Luke (Johnson) and Kate (Wilde), who start to develop feelings for the other person, despite both being in relationships. On a camping trip with the two couples, Luke's partner (Kendrick) and Kate's partner (Livingston) share a kiss. How Luke and Kate react, how they involve themselves in the other person's life, and how alcohol affects their decisions is what the movie focuses on.

Whereas most Hollywood romances tend to be intentionally escapist, this movie grounds itself firmly in reality. All four leads deliver well-crafted, nuanced performances. It is who they are, not the situations they find themselves in, that gives the movie its voice. The characters are not perfect, and their decisions often frustrate us, but their charm and humor win us over. The character development is so warmly authentic that it is hard to stay mad at them.

But the movie as a whole, whether it's because of the worn-out, too-familiar storyline or the plodding progression, was not particularly compelling. The ending is not what I was expecting or hoping for, but perhaps that is the point of the movie and the reason for its title. Like its characters, the movie has its ups and downs, but ends up squarely in the middle of the pack.

IMDb link: http://www.imdb.com/title/tt2265398/

Going the Distance (2010)

5/5

Going the Distance is an irreverent romantic comedy that will please those looking for raunchy laughs or sappy tearjerking. The plot follows Erin (Barrymore) and Garrett (Long), two people who fall in love one summer and find themselves fighting to survive in a long-distance relationship. Most romantic comedies work as follows: the two leads are stripped of any unique or interesting qualities so that nobody in the audience can find a fault with them (except maybe loving the other person too much) as the forces of the world tear them apart. But because the studios need to turn it into a comedy, they give the guy and the girl cohorts of friends with quirky senses of humor who are free to get a little more wild and risky. While this movie certainly has some unbelievable side characters (Day, Sudeikis, Applegate, Gaffigan), it doesn't dumb down the main characters into bland milquetoasts in the hopes that we will relate to and empathize with them. Going the Distance has characters that we care for because it takes the opposite tack. These people are real; they are vibrant and alive, imperfect, passionate, even distasteful at times. The decision to use off-screen couple Drew Barrymore and Justin Long was without a doubt the correct one, because you can see their love for each other in every frame on the screen.

The acting is pitch-perfect. It makes the writing seem nonexistent. Everything they say just rolls off the actors' tongues in perfect harmony and synchrony with their body language. Drew Barrymore has just the right amount of sass to make her adorable and edgy without being annoying. Justin Long is far more charming and charismatic than I ever thought was possible. Charlie Day steals every single scene he is in, playing a character that is almost identical to his role in It's Always Sunny In Philadelphia (which I hope is almost identical to his personality in real life). Though the jokes are risky, they hit all the right notes at all the right times. The movie honestly shows emotions without glamorizing it or turning it into melodrama. It lets scenes play themselves out, whether filled with joy or despair. And despite some predictability, this movie is a near-perfect romantic comedy. I can't wait to watch it again.

IMDb link: http://www.imdb.com/title/tt1322312/

The Time Traveler's Wife (2009)

3/5

The Time Traveler's Wife is a surprisingly well-shot romance about a man who inexplicably travels through time and the woman he falls in love with and marries. Henry's disappearing act, which the movie is content to call a genetic anomaly and leave it at that, often keeps Claire without a husband for dinner and alone on Christmas and New Year's. The movie is both depressing and uplifting; it is unafraid to examine tragedy and death but knows that in the end it must give us new birth and eternal hope. The leads give heartfelt performances, but the dialogue and script often fall flat. It was hard for me to treat the scenario as realistically and everyday as they did, which often gave the piece a very written feel to it. Yes, I can see how it would be infuriating for Claire, but it's difficult to empathize with her when she lashes out at Henry for something he can't control. (And on a side note, the broken timeline is just too confusing for audiences to fully unravel on an initial viewing.)

Technically, the movie was an unexpected delight. The cinematography was exceptional. Nearly every scene had a fluid tracking shot with elegant compositions and rack focuses. The camerawork was beautiful and evocative, and it was integrated seamlessly with subtle, understated special effects. The "montage" scene before Alba's 5th birthday--where the camera circles the various rooms in their house to show Alba's childhood--is a perfect example. Another is the scene where Henry steps off the train after speaking with his mother for the first time since age 6. The movie has some truly stunning shots. If you like romances, or if you like technically proficient films, then you will no doubt like this movie. But if you don't, it with fail to change any opinions you hold about the romance genre.

IMDb link: http://www.imdb.com/title/tt0452694/

Swingers (1996)

4/5

Swingers is the epitome of the guy equivalent to a chick flick, and it is hilarious. Like Pulp Fiction, it thrives on pop culture references. It captures both a generation and a perspective flawlessly. There are some extremely effective scenes (when Mike decides to call Niki, the awkwardness was palpable--I literally squirmed in my seat). Unlike most comedies, this movie actually has a solid foundation, plot-wise and message-wise. And it succeeds: it's funny.

Some scenes go on for too long or don't really have much of a point (for example, the swing dancing). Also, the movie doesn't age well; it digs itself deep in 90's culture and gets stuck there, in terms of language, clothing, and references. The filmmaking becomes a little self-indulgent sometimes. Overall, a very effective, character-driven comedy that very accurately looks at the dating world through guys' eyes.

IMDb link: http://imdb.com/title/tt0117802/