Ben Affleck's Argo recreates the Iran hostage crisis of 1979/1980 with remarkable visual accuracy. After protestors overtake the US Embassy in Iran, 6 would-be hostages escape out a back entrance and hide in the Canadian ambassador's house. Meanwhile the US government is planning a daring "exfiltration" operation led by Tony Mendez (Affleck). Mendez creates a fake movie called Argo, gets Hollywood effects expert John Chambers (Goodman) and producer Lester Siegel (Arkin) to back the ruse, and flies into Iran with fake passports for the fake film crew. As this is going on, the Iranian military within the US Embassy are piecing together shredded documents that contain pictures of the missing employees.
The movie is well-made in terms of its cinematic technique, and Goodman and Arkin deliver knockout performances, but the movie as a whole just doesn't have a clear focus. It starts as a thrilling historical drama, with tense intimate situations and riveting political narratives. But when it turns to the Hollywood scenes, it becomes almost farcical in its tongue-in-cheek joking. It's quite funny, but the humor doesn't seem to fit. The two parts never quite match up, as if they don't belong in the same movie. Argo had no unifying mood to carry us through both halves of the film, and we are left with a jarring disconnect during each transition. Still, the movie is entertaining and exciting, and it's one of those rare movies that allows us a fascinating glimpse into an important piece of history through its storytelling.
IMDb link: http://www.imdb.com/title/tt1024648/
