The Spectacular Now (2013)

2/5

The Spectacular Now is a depressing and infuriating film. It stars Miles Teller as an alcoholic high school student who has confidence and charisma but no plans or hopes for his future. After being dumped by his "hot" girlfriend (Larson), he befriends an "unattractive" girl (Woodley) and she is smitten by his charms. They begin a romance that everybody around them knows is bad for both of them. Instead of some introspection, they just keep chugging along and enjoying the oh-so-spectacular moment.

I'm not really sure what the point of the movie is. It presents itself as a coming-of-age tale but nobody actually learns anything or comes of age. It's frustrating and painful to watch. Shailene Woodley gives a superb performance, emanating high school vulnerability as she is drawn to the debonair Teller, who also gives a stunning performance. But the rest of the technical aspects of the movie are either mediocre or subpar. Underage alcohol consumption in films should come with consequences, and this movie all but pretends there are none. (Or there are some, but then it gives the characters "second chances" without anybody learning anything.)

And just to complain some more: I'm still not clear why there needs to be any voice-over, at any point during this movie, given the fact that there is nothing particularly insightful that needs to be passed on to the audience. By the way, the college essay motif has been so entirely overplayed that it is hard to imagine that even an amazing movie could bring something new to the table. Avoid this movie, unless you're a rabid fan of Woodley and/or Teller's acting.

IMDb link: http://www.imdb.com/title/tt1714206/

Short Cuts (1993)

5/5

Robert Altman's Short Cuts is a virtuoso masterpiece, pure and simple. The movie follows five or so LA couples and their chance interactions over the course of a few days. At turns horrifying and heart-wrenching, the vignettes are immediately captivating and always engrossing. You watch in breathless anticipation for the entire running time. Clocking in at three hours, it may seem daunting at first, but once you start watching, you cherish every minute of it. From the humorous to the grotesque, from innocence to cruelty, this movie examines the gamut of humanity in all its glory and all its shame. It reminds us what kind souls look like in the presence of mean spirits. And in the end we somehow feel closure without getting any resolution; we know what will happen without having to see it on screen. This is the mark of a true storytelling master.

The acting by the huge cast is complete and all-encompassing; they succeed at fully embracing and transforming into their characters after even the deepest and most detailed scrutiny. Whether it is an old man getting years and years of guilt off his chest or a young couple dealing with the grief of a lost child, they are wholly believable and real. The performances are absolutely impeccable, making the already powerful script that much more potent. Coupled with stellar directing, the thematics feel wide open and inviting. The movie encourages us to really think about our place in life, to genuinely contemplate what we would do if we were given the lots these people are given. We come out of the theater reminding ourselves about how lucky we are. Short Cuts is a truly magnificent film and a truly stunning achievement. I don't think anyone could watch this movie and be unmoved; it is everything we expect of the movies and more.

IMDb link: http://www.imdb.com/title/tt0108122/

Margot at the Wedding (2007)

2/5

Margot at the Wedding is the reason I hate independent films. With mainstream movies, you more or less know what you're gonna get. With indie crap, they're always a risk: sometimes they pleasantly surprise you, but more often than not they disappoint you and waste your time. Throughout the movie, the characters echoed my sentiments at the bizarre actions of every other character: "What?" Confusion reigns supreme in this dreck. It tries too hard to be the weird, unique indie film for the sake of being that weird, unique indie film that it forgets to tell a story, any story. Strange things happen for no apparent reason. It tries to be a slice-of-life piece, but the characters are simply too unbelievable to exist in any life that can be sliced.

To its credit, I thought Kidman's transformation into an obscenely crazy person was impressive. And a lot of the jokes were really funny. My favorite line of the movie: "My scrotum's longer than my penis." Still, these are not enough to justify the rest of this movie. After seeing The Squid and the Whale, I thought I liked Noah Baumbach. I was very incorrect.

IMDb link: http://imdb.com/title/tt0757361/