Blended (2014)

4/5

What bizarro universe have I entered where I suddenly find chick flicks to be genuinely good? Blended is another recent unexpected delight, a satisfying romantic comedy filled with humor and heart. It follows two single parents (Sandler, Barrymore) who unexpectedly fall in love during a trip to Africa focused on "blending" non-traditional families. It adds in parenting challenges and family values to a tired and predictable formula, but for some reason that does the trick. Blended is an absolutely wonderful experience.

To be honest, I pretty much hate all Adam Sandler movies without exception. Blended is the rule-breaker (just like Stranger Than Fiction was for Will Ferrell). This is not a Sandler "vehicle," and because of that he is fantastic in this movie as a regular dad struggling to raise three girls. Drew Barrymore is her same lovable self, which can certainly feel old and boring if you're not a fan, but it works for me. I love the film's perspective: kids come first 100% of the time. For some reason it really resonated with me, as I'm sure it will for a large number of its intended viewers. The movie has some great comedic one-liners (although it also has a good number of cringe-worthy moments that fall flat on their face) with a strong emotional tug. No, it's not particularly well-shot or tightly-edited, but it has a solid story and solid performances and that makes for solid entertainment.

IMDb link: http://www.imdb.com/title/tt1086772/

Ted (2012)

4/5

Seth MacFarlane's Ted is a hilariously ridiculous movie. It's essentially a buddy movie, about John (Wahlberg) and Ted (MacFarlane)--a living, breathing teddy bear. John, picked on and tormented as a kid, made a wish to have his teddy bear come to life and be his best friend forever. And his wish came true! Ted enjoyed some childhood celebrity before the pair eventually settled into their mid-thirties routine of smoking pot and vegging out on a couch. But John's girlfriend of four years, Lori (Kunis), feels like John+Ted is getting in the way of John+Lori. There is one (disgustingly hilarious) event involving a game of truth or dare with some strippers that Ted brought over to their apartment that pushes Lori over the edge, and she demands that John choose between her and Ted.

I think Ted did a surprisingly good job describing the difficulty of balancing friendships and relationships and growing up without leaving your past behind. It contained a number of tender moments that felt authentic and honest--and were completely unexpected coming from the creator of Family Guy. What was not unexpected, on the other hand, was the over-the-top fight scene that was as ridiculous and enjoyable as I was hoping it would be. MacFarlane did a great job writing and directing the piece, able to pace it well in a format completely different from 20-minute televised serials. But I think he let himself go a little too crazy, specifically regarding the utterly bizarre Giovanni Ribisi character. Overall, a formidable and highly recommended entry from MacFarlane.

IMDb link: http://www.imdb.com/title/tt1637725/

The Informant! (2009)

4/5

Steven Soderbergh's The Informant! is a rare mix of comedy, drama, and annoying music. The plot follows Matt Damon as a biochemist in a corn processing conglomerate in the 1990's who starts helping the FBI set up a case against his company for price-fixing lysine. He wears a wire and provides evidence, but as the trial looms closer the agents on the case (Bakula and McHale) can't help but feel that he isn't telling them the whole truth. The storyline could have easily been turned into an action thriller or a sentimental drama, but Soderbergh chose to emphasize its sometimes outlandish scenarios and turn it into a comedy. And in order to make sure the audience fully appreciated its levity, he soaked the movie in the musical equivalent of urine. One review I read called it "wacky, circus-like music," but that is an understatement. My ear felt like it was ravaged raw. I had to nurse it back to health.

Despite the aural travesty, this movie had a lot to like. From the simplest decisions like font choice to the complex decisions like voice-overs and shot-by-shot editing, Soderbergh does a fantastic job. The movie feels like it was made in the 90's, which may be a good or bad thing depending on who the viewer is, but it was impressive nonetheless. It was the subtleties like overblown highlights and faded colors that really made the film feel 15 years old. Certainly not one of Soderbergh's best or worst films, it's still a solid piece of entertainment with some sadness, some sympathy, and a whole lot of humor. If the previews piqued your interest, it's definitely good enough for you to drop $10 on it. But don't say I didn't warn you if you come out of the theater with bleeding ears.

IMDb link: http://www.imdb.com/title/tt1130080/