Ted (2012)

4/5

Seth MacFarlane's Ted is a hilariously ridiculous movie. It's essentially a buddy movie, about John (Wahlberg) and Ted (MacFarlane)--a living, breathing teddy bear. John, picked on and tormented as a kid, made a wish to have his teddy bear come to life and be his best friend forever. And his wish came true! Ted enjoyed some childhood celebrity before the pair eventually settled into their mid-thirties routine of smoking pot and vegging out on a couch. But John's girlfriend of four years, Lori (Kunis), feels like John+Ted is getting in the way of John+Lori. There is one (disgustingly hilarious) event involving a game of truth or dare with some strippers that Ted brought over to their apartment that pushes Lori over the edge, and she demands that John choose between her and Ted.

I think Ted did a surprisingly good job describing the difficulty of balancing friendships and relationships and growing up without leaving your past behind. It contained a number of tender moments that felt authentic and honest--and were completely unexpected coming from the creator of Family Guy. What was not unexpected, on the other hand, was the over-the-top fight scene that was as ridiculous and enjoyable as I was hoping it would be. MacFarlane did a great job writing and directing the piece, able to pace it well in a format completely different from 20-minute televised serials. But I think he let himself go a little too crazy, specifically regarding the utterly bizarre Giovanni Ribisi character. Overall, a formidable and highly recommended entry from MacFarlane.

IMDb link: http://www.imdb.com/title/tt1637725/

Friends With Benefits (2011)

4/5

Friends With Benefits has a fairly uninspired plot. Two twenty-somethings, Dylan (Timberlake) and Jamie (Kunis), decide to start a purely physical relationship after being dumped for being either emotionally absent or emotionally guarded. This being a romantic comedy made in Hollywood, you know how the entire story unfolds from the premise alone: one develops feelings for the other, they break up because of a mistake one of them makes, and eventually get back together and live happily ever after. Like it or not, that's the formula you're buying with your movie tickets.

Fortunately, this movie is probably the smartest it could have been given that preordained scenario thanks to pristine execution and delivery. The dialogue is sharp and witty, the acting believable and emotionally fulfilling (unlike the characters themselves), and the mood is appropriately adult (plenty of nude butts and four-letter words). I was surprised at how much I bought the film, which I think is a testament to the directing and the acting. I actually felt the emotions that the characters were going through, and to me that means the movie has succeeded. So despite the predictable plot, despite occasionally feeling like the simple message was beat into my head, I don't think there's much higher you can aim for in a film.

IMDb link: http://www.imdb.com/title/tt1632708/

Black Swan (2010)

5/5

Darren Aronofsky's Black Swan is honestly one of the most terrifying movies I have ever seen. It envelops you in the psyche of an unstable, damaged woman. It traps you there without escape. Yet you cannot turn your eyes away. You can only watch in horror as she gradually disintegrates. You are left staring at scenes that will disturb and disgust you. You witness her fears come alive as hallucinations; you witness her ecstasies turn cruel and nightmarish. When her paranoia completely engulfs her, I was literally trembling with fear.

The movie is arresting in all its technical aspects. Its stark lighting and black and white palette is visually stunning. It frequently tracks characters' movements, more often rough, nauseating, and immersive instead of the more typical smooth, dreamlike voyeurism to which we are accustomed. The editing is pitch-perfect: it gives us fluid transitions alongside beautiful compositions, it integrates plot progression with taut suspense. The thematics are compelling and powerful, revealing Aronofsky's focus on central concepts that likely mirror his own life. The story shares the same basic framework as all of his other films. An outcast discovers a hobby or talent. It becomes an addiction that soon consumes their life. It finally metamorphoses into an obsession for which they will sacrifice everything they used to cherish.

Aronofsky's Black Swan, for all its technical prowess and thematic underpinnings, is a movie that ultimately rests on the actors' shoulders. Winona Ryder, Mila Kunis, Barbara Hershey, and Vincent Cassel shine in their roles, but none of them take your breath away quite like Natalie Portman. She delivers a phenomenal performance. She plays the timid, virginal ballerina to perfection. Her ultimate reversal into the sexually uninhibited black swan seems equally effortless. She simply becomes her character--none of it is acting. She is the reason to stop whatever you're doing right now and see this movie. But no matter when you see it, now or ten years from now, I have no doubt that it will still be hailed as a masterpiece.

IMDb link: http://www.imdb.com/title/tt0947798/

Date Night (2010)

4/5

Date Night is an incredibly fun movie that delivered non-stop laughs with an action twist. The plot follows Phil and Claire Foster (Carell, Fey) as two parents whose marriage is slowly becoming routine and whose children occupy the little free time they have after work. When their friends decide to get a divorce, Phil realizes that he has something special with Claire that he doesn't want to lose and decides to take her out to a special night in Manhattan at an upscale seafood restaurant. After arriving without a reservation, they take another couple's table and are believed to be the couple that stole a flash drive from gangster Joey Miletto (Liotta). They are chased around the city for about an hour and a half and finally end up happy together with their marriage secure. (Whoops, I just ruined the ending.)

The writing in this movie is perfect and the two NBC Thursday night stars pull it off with aplomb. Carell and Fey together are a dream come true; they are my ideal comedy duo and they do not disappoint. They should do everything together. The dialogue is 30 Rock gone mainstream and it flies. The humor was quick and the editing kept pace. There are too many funny scenes to even recount and there is absolutely no dead space in the 90 minute movie. It is literally laugh after laugh after laugh. The movie also has a little bit of heart thrown in there for good measure and, while it's not quite the tearjerker it intended to be, it's certainly got a little sap to separate it from the straight-up comedies we see all the time. I probably would've given this movie a higher rating had some unnecessary scenes been deleted and had the emotional aspect hit home harder. All in all, this is a terrific movie for anyone who loves Steve Carell or Tina Fey. Go watch it as soon as you can.

IMDb link: http://www.imdb.com/title/tt1279935/

Forgetting Sarah Marshall (2008)

4/5

Forgetting Sarah Marshall is yet another successful comedy from the Judd Apatow producing team. It's funny, it's smart, it's tender--what more could you want in a movie? Jason Segal announces his presence as a viable leading man: he's a quirky "composer" who gets dumped by his superstar girlfriend Sarah Marshall (Kristen Bell) and goes to Hawaii to get over her. As he soon finds out, he's staying at the same resort as his ex and her new superstar musician love interest Aldous Snow (Russell Brand). He quickly pairs up with Jackie from That 70's Show (Mila Kunis), only she's less annoying and more attractive in this movie.

Now that you know the basic framework and characters, I'm sure you know how it ends. Regardless, how it gets there is a hilarious and unique romp. (And thirty minutes shorter than his other movies too!) The humor is infectious; you feel the same joy the characters feel. You also feel their sadness because there is an honesty to the actors' performances that extend past the dialogue and the simple genre of comedy. This movie, as in all of Apatow's films, contains some of the strongest and most indelible side characters of any movie in recent memory. We may have seen this trope before, but we've never experienced it alongside these people. (Especially Kenneth from 30 Rock!)

The movie has some flaws. At times, I felt the jokes fell a bit flat. The timing was a bit off too--you didn't have enough time to laugh at the jokes. Additionally, half the movie had no establishing shots, making it hard to get a feel for the setting. The flashbacks were used effectively sometimes, but was very confusing in conjunction with the lack of establishing shots. Still. If you find me talking about technical flaws like establishing shots in a comedy, you know it got at least most things right. So if you liked Knocked Up and The 40-Year-Old Virgin, watch this movie and have a blast.

IMDb link: http://imdb.com/title/tt0800039/