Showing posts with label max minghella. Show all posts
Showing posts with label max minghella. Show all posts

February 25, 2015

The Internship (2013)


3/5

The Internship is a fairly predictable buddy comedy that I've come to expect from the likes of Owen Wilson and Vince Vaughn. The movie focuses on two middle-aged salesmen who lose their job and apply for an internship at Google in the hopes of rebooting their career. As you might expect, they have no technical background but a wealth of people skills and they eventually triumph in the face of much smarter but less experienced college-age kids. The movie has its fair share of laughs, romance, and feel-good moments. There's honestly nothing surprising at all about this movie. It's a light piece of fluff that will brighten your day if you have it on in the background while doing some actual work.

IMDb link: http://www.imdb.com/title/tt2234155/

November 24, 2011

The Ides of March (2011)

4/5

George Clooney's The Ides of March is a well-made, high-quality political thriller. Governor Mike Morris (Clooney) is running for president with campaign managers Paul Zara (Hoffman) and Steven Meyers (Gosling). Although Morris seems like an ideal candidate, problems start cropping up when his opponent's campaign manager, Tom Duffy (Giamatti), tells Steven some damaging news in strict privacy. Things get even more complicated when Steven gets romantically involved with a young intern (Wood) who has a few secrets of her own.


Technically, the film is impressive. The Ides of March showcases just about the finest ensemble cast in recent memory, perhaps ever. Although Gosling is billed as the lead, each of the supporting cast delivers stand-out performances so good that it makes Gosling's acting look simple and immature in comparison. While the script has sharp dialogue, it ultimately lacks the originality and creativity to make the story stand out. Clooney's directing, on the other hand, has matured significantly since his debut Confessions of a Dangerous Mind. Instead of flashy filmmaking, he goes for simple, understated techniques to enhance the overall experience. Subtle moves, like close-ups that build tension by gradually getting tighter, show his command of cinematic technique. All the individual parts come together to make a cohesive whole, but nothing jumps out to make me sing its praises. This is a solid film that does one thing well, but there's nothing revolutionary going on here.

IMDb link: http://www.imdb.com/title/tt1124035/

October 15, 2010

The Social Network (2010)

5/5

David Fincher's The Social Network is a vibrant, invigorating film filled with excitement and possibility. The movie chronicles the beginning of the new digital era of human interactions. It is not so much about the creator of Facebook as it is about the unrelenting, self-propelled technology that everybody is trying their best to keep up with. It is a classic story of how we as a society deal with each other, how we share stories, how we reveal our emotions. It tackles betrayal, regret, and love. The plot itself is based on two lawsuits launched against Facebook creator Mark Zuckerberg (Eisenberg). The first is by fellow Harvard undergrads Divya Narendra (Minghella) and the Winklevoss twins (Hammer) for stealing their idea, originally called Harvard Connection. The second is by best friend, co-founder, and CFO Eduardo Saverin (Garfield) for being written out of his share of stock options.


It is difficult to describe how compelling this movie is. The script is an absolute treasure. It unites fast-paced, witty, intellectual dialogue with important, ancient thematics. It is fresh and edgy and filled with electricity. The cinematography is beautiful and appropriately moody. The editing may be one of the most underrated aspects of this movie, but it is essential to its success. The story could have easily taken 3 hours, especially given Fincher's propensity for making movies longer than they need to be, but I'm thankful that they were able to edit it down to just 2 hours. It is expertly paced with only the essential ideas. And last but not least is the acting. It is spot-on. The characters are full and richly textured. You feel their pain and heartache and sorrow. You are enraptured by their vivacity and exhilaration. They are not just fascinating character studies. They are living and breathing people with the same unique talents and flaws that you love and hate about your friends and enemies.

And of course there is the subject matter. I wonder what it means that everybody who saw this movie went home and posted their thoughts about it on Facebook. People complained that this movie came out too soon: Facebook's role is still being sorted out. We are right in the middle of it and don't know how it will all play out in the end. But I think now is the best time to make and release this movie precisely because we are still in the thick of it. People said the same thing about 9/11 movies, but they remain some of the best and most memorable movies because they are tied to my memory of life events and contain universal themes. This movie is exactly the same. And while it may not have all the facts right and may be biased one way or another, it is a phenomenal story that is flawlessly told. It must be seen, and sooner rather than later.

IMDb link: http://www.imdb.com/title/tt1285016/