Showing posts with label rashida jones. Show all posts
Showing posts with label rashida jones. Show all posts

August 26, 2012

Celeste and Jesse Forever (2012)

4.9/5

Celeste and Jesse Forever turned out to be an unexpected treasure that sticks with you long after the credits close. Although I describe it as a treasure, the movie is about as far from a Disney "happily ever after" as you can get. In fact, it starts precisely after most rom coms would end, six years after best friends Celeste (Jones) and Jesse (Samberg) have married, and six months into their separation and impending divorce. It depicts a depressing, sobering take on relationships that don't work out, no matter how much we might want them to. It manages to charm and delight the audience while simultaneously tearing apart our heart. It flits between those two extremes like an expert Wes Anderson film, and I hate it for being so effective.


The title is misleading, because the movie is not about Celeste and Jesse, but about Celeste. It is a character study, and Rashida Jones gives a phenomenal performance. We see the whole breakup through her lens, and we see how much she hurts. We don't see how hard it is for Jesse; we only see snippets of him, snapshots in time. And it doesn't matter whether he's happy or sad, because whenever he comes back into Celeste's life is another crack in her armor, another arrow in her shield.

Much like a film noir, we know how it will end as soon as it starts. That doesn't make it predictable, but fatalistic. It is a torture, as we get ever closer to the final movement we know is coming but hoping never gets here. The chemistry between the two leads makes it that much more painful to watch. There is one scene I do not think I can ever forget, which is acted and filmed to heart-wrenching perfection. The two of them are sitting together on a couch, about to kiss, fighting their desires to do what is right and honorable, fighting what is good and true because of circumstance, fighting and fighting and--whether they succeed or fail--ending up with nothing. The whole movie is encapsulated by that one scene.

After all I said, you would think this movie was a weepy downer drama. It's not. It's a surprisingly fun romp, filled with levity and jokes galore, but it cannot gloss over its bleak undertone. And it manages to end with just the right amount of hope and light amidst the darkness. The movie is an exceptional one, despite some forgivable flaws, and one I highly recommend.

IMDb link: http://www.imdb.com/title/tt1405365/

October 15, 2010

The Social Network (2010)

5/5

David Fincher's The Social Network is a vibrant, invigorating film filled with excitement and possibility. The movie chronicles the beginning of the new digital era of human interactions. It is not so much about the creator of Facebook as it is about the unrelenting, self-propelled technology that everybody is trying their best to keep up with. It is a classic story of how we as a society deal with each other, how we share stories, how we reveal our emotions. It tackles betrayal, regret, and love. The plot itself is based on two lawsuits launched against Facebook creator Mark Zuckerberg (Eisenberg). The first is by fellow Harvard undergrads Divya Narendra (Minghella) and the Winklevoss twins (Hammer) for stealing their idea, originally called Harvard Connection. The second is by best friend, co-founder, and CFO Eduardo Saverin (Garfield) for being written out of his share of stock options.


It is difficult to describe how compelling this movie is. The script is an absolute treasure. It unites fast-paced, witty, intellectual dialogue with important, ancient thematics. It is fresh and edgy and filled with electricity. The cinematography is beautiful and appropriately moody. The editing may be one of the most underrated aspects of this movie, but it is essential to its success. The story could have easily taken 3 hours, especially given Fincher's propensity for making movies longer than they need to be, but I'm thankful that they were able to edit it down to just 2 hours. It is expertly paced with only the essential ideas. And last but not least is the acting. It is spot-on. The characters are full and richly textured. You feel their pain and heartache and sorrow. You are enraptured by their vivacity and exhilaration. They are not just fascinating character studies. They are living and breathing people with the same unique talents and flaws that you love and hate about your friends and enemies.

And of course there is the subject matter. I wonder what it means that everybody who saw this movie went home and posted their thoughts about it on Facebook. People complained that this movie came out too soon: Facebook's role is still being sorted out. We are right in the middle of it and don't know how it will all play out in the end. But I think now is the best time to make and release this movie precisely because we are still in the thick of it. People said the same thing about 9/11 movies, but they remain some of the best and most memorable movies because they are tied to my memory of life events and contain universal themes. This movie is exactly the same. And while it may not have all the facts right and may be biased one way or another, it is a phenomenal story that is flawlessly told. It must be seen, and sooner rather than later.

IMDb link: http://www.imdb.com/title/tt1285016/

March 31, 2009

I Love You, Man (2009)

3/5

I Love You, Man is an above average comedy. It wasn't bad, but I expected much better given its stellar cast. Jason Segel was better in Forgetting Sarah Marshall (and How I Met Your Mother) and Paul Rudd was better in Role Models (and Knocked Up). The plot was just as forgettable as the characterization and acting. Despite having the gender of the main character's conquest reversed (as has been done countless times on various sitcoms), I Love You, Man's plot was exactly the same as every other romantic comedy. It started with the countless failed blind dates, then progressed to hitting it off with the perfect guy, and finally ended with the expected betrayal of trust and eventual redemption. I've seen it a thousand times before and it wasn't all that much better this time; the whole package was merely at an acceptable level of laughs. Watch it if you want a quick laugh, but don't expect another hit comedy.

IMDb link: http://www.imdb.com/title/tt1155056/