Showing posts with label rafe spall. Show all posts
Showing posts with label rafe spall. Show all posts

January 01, 2013

Prometheus (2012)


3/5

Ridley Scott's Alien quasi-prequel Prometheus is one of the most frustrating films I've seen recently. It has a lot of big ideas, thought-provoking dialogue, and terrifying science fiction coupled with unanswered questions and endless let downs. It is undeniably awe-filled but also incredibly unsatisfying. The movie starts with what I assume is the dawn of man in an infuriatingly ambiguous but visually stunning introduction. And it continues in much the same manner; every positive that the film contains is perfectly balanced by a negative. Crisp cinematography coupled with poor pacing; inspiring dialogue matched to flat acting; and stimulating thematics married to simplistic answers. At the end of the movie, I was left grasping at straws, remembering scenes of horror and moments of wonder and always wishing they gave me more than what they did. This is obviously required viewing for any fan of Ridley Scott or the Alien series, but it's only going to irritate everybody else.

IMDb link: http://www.imdb.com/title/tt1446714/

December 14, 2012

Life of Pi (2012)

4.9/5

The film adaptation of Yann Martel's Life of Pi is one of Ang Lee's best films, and probably my personal favorite. The film hews closely to the book, giving us a story wrapped within a story. We are introduced to Pi (Khan) as he prepares a meal for his guest, a young writer (Spall) who has come to hear about Pi's miraculous tale. After a younger Pi (Sharma) gets shipwrecked while traveling to America, he somehow survives on a lifeboat alone with a tiger named Richard Parker. The writer has been told that the story will make you believe in God, although he has his doubts. But the more Pi recounts, the more we are drawn into his most unbelievable and incredible story.


I found the first 30 minutes of exposition intriguing but not quite fascinating enough given its lack of plot. After the freighter sinks, however, we are completely immersed in the story. And we let the movie take over. The special effects are without equal. I honestly had no idea how any of the scenes were filmed, what was CGI and what was real. Except for two shots with noticeable letterboxing (once vertically and once horizontally), every frame was a beautiful image to enjoy. And the 3D was used to perfection. There is one scene, one brief moment, that brings to mind the joy and exhilaration at the heart of movies, ever since the first film by the Lumière brothers. Everyone in the audience jumped out of their seats.

Irfan Khan is an exquisite actor; his performance is undeniably tender and moving. The rest of the cast, however, was not as impressive. But Khan is the heart of the story, and his telling is what's most important. Since seeing this movie, I have spent many nights pondering its meaning. It encourages and invites discussion. It sticks with you. It provides an open canvas on which you can put your own feelings and beliefs. And it is the best movie of the year so far.

IMDb link: http://www.imdb.com/title/tt0454876/

February 15, 2012

One Day (2011)

2/5

One Day feel like a concept film, an experimental trial of style regardless of its impact on content. The movie starts with Emma (Hathaway) on July 15, mid-2000, then reverses back to July 15, 1998 and goes forward year by year until we catch up to the start of the film. The relevance of this day is obfuscated for no particular reason. It initially seems as if it commemorates the day she first meets Dex (Sturgess), as it follows their interactions on that day each year, but the true "secret" is revealed near the end. After that secret is revealed, it goes even further back to uncover even more unseen scenes.


And that is the real problem with the movie. It is mysterious for the sake of being mysterious. It does it to hide the story in the hopes of surprising you at the end, instead of doing it for any thematic benefit. You watch the first half of the film wondering why you're sitting there watching the film at all. This frustration is made worse by the fact that there is no chemistry between the two leads. There is no electricity or excitement. The acting is competent, but there is nothing tying the two together through time and space. They are two independently adequate actors. Ultimately, it doesn't matter how good the technical aspects are (they are decent) because the movie fails to engage us with its storytelling.

IMDb link: http://www.imdb.com/title/tt1563738/