Wreck-It Ralph (2012)

4/5

Disney's Wreck-It Ralph was a surprisingly entertaining movie. The story follows Wreck-It Ralph (Reilly), the bad guy in a video game named after its hero, Fix-It Felix (McBrayer). Disgruntled and tired of being the villain, going home to a bed of bricks, he goes on a quest to win a medal in the hopes of being liked. He accidentally finds himself in a candy-coated racing game called Sugar Rush, where he meets a "glitch" named Vanellope (Silverman), who wants nothing more than to race in the big leagues. But she needs his medal to enter the race.

Now that we have all that plot out of the way, let's get to the good stuff. The movie is charming and sweet, but not too saccharine that it hurts. Although the movie is predictable in many ways, it still manages to surprise and delight along the way, thanks to its bevy of side characters and inventive plotting. And all the video game references are just icing on the cake, filling the movie with multiple aha! moments that leave you with a smile on your face. I honestly have nothing really bad to say about this movie. It's a fun way to spend an afternoon reminiscing about all those afternoons you spent playing video games as a kid. Highly recommended.

IMDb link: http://www.imdb.com/title/tt1772341/

Django Unchained (2012)

4/5

Quentin Tarantino's Django Unchained is an unforgettable film. The plot, which follows the recently-freed slave Django (Foxx) and his bounty hunter partner Dr. Schultz (Waltz), propels itself forward at an almost unstoppable pace. It contains so much forward momentum from simplistic plot devices that, when a sharp turn near the end is revealed, it forces you to stop and catch your breath. The whole heartbeat of the movie skips. And you sit there re-evaluating what exactly it is that you just watched.

I initially left the movie filled with disgust and revulsion. I found it terrifying in every sense of the word: to witness the way that people act, how they treat other human beings, when they feel as if there are no consequences for their actions. Tarantino lays bare the darkest qualities of mankind, and does so in such an entertaining way that we become partners in the filth. How devious of him.

But the more I thought about it, the more compelling I found it. That primary emotional response of horror is intentional; DiCaprio performs a difficult role seemingly effortlessly. He is more charmingly evil than Waltz was in Tarantino's previous Inglourious Basterds, which I never would have thought possible before this movie. He is simply spellbinding.

But what is the point of the movie? Perhaps Tarantino is using his lens to reflect on modern society. Or perhaps it's just an exploitation film about a bygone era. Does there have to be a point? People said the same thing about Pulp Fiction. Is it superficial style or is there something hidden deeper within? I still don't know the answer, to both films. But I believe that, with any movie, you get out what you put in. And the more I think about Django Unchained, the more I am discovering, both about the film and about myself.

IMDb link: http://www.imdb.com/title/tt1853728/