50/50 (2011)

3/5

50/50 tells the story of Adam (Gordon-Levitt), a 27-year-old who discovers he has a rare form of cancer that carries with it a 50% chance of death. His reaction is a mixture of numbness and distance; other people react differently. His girlfriend (Howard) cheats on him, his best friend (Rogen) uses the diagnosis to pick up girls, and his mother (Huston) constantly nags him to let her take care of him. He sees a therapist (Kendrick) to help sort out his emotions, but she is inexperienced and unprepared for the relationship they develop.

The acting by Huston and Kendrick was phenomenal. Every single time they were on screen, I was astounded and moved by the emotions on display. Rogen's acting was his typical fare, boisterous and hilarious. Gordon-Levitt was probably the weakest link, playing a relatively boring character to mediocrity. The writing was basic and plodding at some points and profoundly touching at others (my favorite scene in the movie is where Adam talks to his father before his surgery, because it is the only time he is directly addressed after being practically ignored or treated as a joke throughout the film).

For me, the movie's biggest problem lies in the medical setting. Maybe I'm biased, but I just could not believe how the doctors treated him; it felt like unrealistic melodrama and pity-mongering. On top of all that are countless medical inaccuracies and inconsistencies. Granted, 50/50 feels true enough for most people watching, and it's about mood and not medicine, but it bugged me incessantly and prevented me from enjoying the movie. Overall, it's good at tugging at your heartstrings while tickling your funny bone, but I would avoid it if you're at all familiar with the medical field.

IMDb link: http://www.imdb.com/title/tt1306980/

When In Rome (2010)

3/5

When In Rome is a silly little movie with a lot of heart and charm. The plot is outrageously dumb: Beth (Bell) steals five coins from a fountain in Italy and a spell is placed on the five people who threw their coins in looking for love. One is an artist (Arnett), one is a sausage businessman (DeVito), one is a magician (Heder), and one is a male model (Shepard). "But wait!" you say, "That's only four!" You are correct. Incidentally, Nick (Duhamel) is also in love with her, and Beth must figure out if it's because of true love or if it's because the fifth coin was his and he is merely under the spell.

Yes, I know, it is preposterous and corny, but it gets an A for effort. You see these men attempt to win her over with the most desperate and sad displays of affection. They try and try and try to please her but to no avail. And once you get past the buffoonery and circus-like lunacy, you find a smile somehow crept its way up onto your face. I don't know how it does this, because the writing is terrible, but the actors put so much of themselves into their ridiculous roles that you just have to love it. Some parts of the story started out blunt and obvious (e.g., Beth's love of her job over personal relationships), but further into the movie it became surprisingly subtle and nuanced. But by far the most surprising thing about this movie for me was how charismatic Duhamel turned out to be. It's easy to see why he's starring in all these romantic comedies nowadays. You don't have to watch this movie (but feel free if it sounds like your kind of movie), but you should definitely keep an eye out for Duhamel.

IMDb link: http://www.imdb.com/title/tt1185416/

Choke (2008)

4/5

Choke, according to IMDb, is about a sex-addicted con-man who pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death. Having read that blurb coming in, I was surprised at how much more story, characterization, and depth there was compared with what I expected. This is a movie remarkably unlike anything else I've seen; it is outlandish yet personal, irreverent yet honest. There is a strange tenderness permeating this graphic, mature, cynical film. And somehow it works. The plot and editing manage to be satisfying in length and brisk in pacing. The dialogue and performances are both meaningful and hilarious. The rest of the technical aspects are less than noteworthy, but all in all Choke is an unexpected delight that I highly recommend.

IMDb link: http://www.imdb.com/title/tt1024715/

The Darjeeling Limited (2007)

4.9/5

The Darjeeling Limited, Wes Anderson's latest film, follows the antics of three brothers on a spiritual quest to rid themselves of the emotional baggage of their father's recent death and mother's disappearance. Like all of Anderson's films, there are moments of heartbreaking emotion, juxtaposed effortlessly to choke up any laughter still left in your throat after the uproarious scenes that immediately preceded them. Unlike his other movies, this back and forth was not as prevalent as before. Most of the time it was subtle, but what surprised me was the dialogue-free 10 minute stretch in the middle of the film as we breathlessly witness a suffocating moment and its indelible consequences. Its impact is profound, its inclusion necessary. The symbolism and themes presented by the movie, left open to the viewer for interpretation and application in their own lives, places this film above simple comedy.

In typical Anderson style, the quirky music is exceptional, a perfect companion to the texture of the rest of the piece. The acting matches this bizarre mood, filling out the fictional characters with real humans. I was fascinated by the camerawork and Anderson's insistence--almost an obsessive need--to shoot at precise, 90 degree angles. His quick sideways tracking/panning made it impossible to see anything between the absolute cardinals, a sentiment echoed in his refusal to show transition shots during editing. He made some cinematography choices I disagreed with, however. I have an intense dislike for zooms (even when used as effectively as in Barry Lyndon), and their overabundance here dismayed me. He also overdid the slow-motion shots; if used half as often, they would have reached optimal impact. Still, these issues are relatively minor and easily overlooked. Behind The Royal Tenenbaums, this is probably Anderson's finest film to date.

IMDb link: http://imdb.com/title/tt0838221/