New York, I Love You (2009)

2/5

Unlike its predecessor Paris, je t'aime, New York, I Love You is a terrible movie. It is a terrible, terrible movie. It is a collection of short films that reveal characters who become intertwined with other characters in New York City. Unfortunately, you wouldn't know that if you just watched it. It would appear to an innocent bystander to be a random smattering of ludicrous events that are pretentiously written, acted, and directed that give the illusion of lofty meaning and artistic flair. It is filled with empty stories based off of shallow ideas. However, amongst the 11 short films, there were two (2) good segments. The first starred Bradley Cooper and Drea De Matteo as two strangers who spent a night together that became more than a one-night stand; it is about the fears and doubts they have about what it meant for them and for the other person as they barrel through the city to meet again. It has a tremendously powerful ending. The second starred Eli Wallach and Cloris Leachman as an old married couple who head out on their 63rd anniversary to Coney Island, where they had their first date. They exchange playful banter, as unique and genuine as a real-world couple who might have lived in each other's companies longer than they have lived alone, who love and hate everything about the other person. It reminded me of No Country for Old Men in the best possible way. Still, those two gems in this giant pile of poop aren't quite valuable enough to recommend wading through it all. Ick.

IMDb link: http://www.imdb.com/title/tt0808399/

The Ghost Writer (2010)

3/5

Roman Polanski's The Ghost Writer is an exceedingly well-made thriller of the caliber that I have come to expect from Polanski, despite the flops he's made both recently and in the past. The plot follows a new ghost writer (McGregor) who was hired to help the former British Prime Minister Adam Lang (Brosnan) write his memoirs. The movie sets the stage quickly and gets more mysterious even quicker. The previous ghost writer died under curious circumstances, the new ghost writer was hired as fast as possible for a huge profit, and Lang just got accused of war crimes and crimes against humanity for aiding the CIA in torturing terrorist suspects.

In terms of directing, this movie is superb. It is Polanski at his best. The camerawork, the editing, and the acting are all phenomenal. They work in synchrony to build tension out of nothing. I just wish Polanski had better source material to work with. It's unfortunate that there is such a disjoint between the quality of Polanski's work and the quality of the plot itself. I didn't appreciate the story that much; it seemed a bit simplistic and unimaginative. The pieces just don't fit together particularly well, despite everything tying up in a neat little package in the end. I don't know what quality it is about the piece, but I left the theater feeling a little dissatisfied. Still, I would advise you watch it if you found the trailer interesting. You may not have the same qualms I do about the film. If that's the case, you will love this movie.

Note: it seemed as if the movie was edited for language (dubbed over, specifically) so that it could be released as a PG-13 movie. I suppose they did it to try to make more money, but the movie wasn't publicized well enough and it didn't play in enough theaters to make it a smart decision. And it just wasn't done in a particularly professional manner. Bad move, distributors, bad move.

IMDb link: http://www.imdb.com/title/tt1139328/

The Holiday (2006)

4/5

Nancy Meyers's The Holiday is a remarkably tender and touching movie that covers the entire gamut of human emotion. The plot follows Amanda (Diaz) in Hollywood, CA and Iris (Winslet) in Surrey, England as they switch houses for the holidays after having their hearts broken by their boyfriends. Amanda meets Iris's good-looking brother, Graham (Law), and they begin a physical relationship knowing they won't see each other again once the holidays are over. Iris befriends the elderly scriptwriter Arthur (Wallach) and the young and goofy musician Miles (Black) to help her get past her emotionally draining ex. It seems fairly easy to predict what happens next, but the movie paces the emotions so perfectly that you are completely taken in by the story.

The script is tremendous. From the opening voice-over to the final feel-good shot, the script manages to manipulate your heart to feel happiness and sadness within seconds of each other, much in the same vein as Casablanca. Meyers directs the vibrant script into something more than just filmed words. The editing is amazing, effortlessly integrating the two stories and transitioning the scenes visually. She uses music brilliantly to enhance the emotions without forcing unwanted ones on the viewer. The acting is terrific, making the strong characters that much more vivid. Kate Winslet is as good as always, but here all the other leads turn in extremely powerful, empathic performances that just make your heart fill up. Despite some imperfections, this movie is absolutely wonderful. Even if you don't like chick flicks, all it takes to fall in love with this movie is a desire for a good story. Because this movie delivers that in spades.

IMDb link: http://www.imdb.com/title/tt0457939/