New York, I Love You (2009)

2/5

Unlike its predecessor Paris, je t'aime, New York, I Love You is a terrible movie. It is a terrible, terrible movie. It is a collection of short films that reveal characters who become intertwined with other characters in New York City. Unfortunately, you wouldn't know that if you just watched it. It would appear to an innocent bystander to be a random smattering of ludicrous events that are pretentiously written, acted, and directed that give the illusion of lofty meaning and artistic flair. It is filled with empty stories based off of shallow ideas. However, amongst the 11 short films, there were two (2) good segments. The first starred Bradley Cooper and Drea De Matteo as two strangers who spent a night together that became more than a one-night stand; it is about the fears and doubts they have about what it meant for them and for the other person as they barrel through the city to meet again. It has a tremendously powerful ending. The second starred Eli Wallach and Cloris Leachman as an old married couple who head out on their 63rd anniversary to Coney Island, where they had their first date. They exchange playful banter, as unique and genuine as a real-world couple who might have lived in each other's companies longer than they have lived alone, who love and hate everything about the other person. It reminded me of No Country for Old Men in the best possible way. Still, those two gems in this giant pile of poop aren't quite valuable enough to recommend wading through it all. Ick.

IMDb link: http://www.imdb.com/title/tt0808399/

Monsoon Wedding (2001)

4/5

Mira Nair's Monsoon Wedding is a touching movie about the somewhat rushed marriage of an Indian family's only daughter and the numerous other intricately connected subplots on the days leading up to the wedding ceremony. New love blossoms as old secrets are revealed. The story is poignant, the filmmaking is active, and the costume and set design are colorful and vibrant. The acting feels natural and real, and I especially liked the integration of English and Hindi. Nair paints a very convincing portrait of modern Indian culture, right down to the earthy hues, and she does it in a way that doesn't alienate people like me who aren't fans of Bollywood cinema.

Nair's later film The Namesake is not nearly as good, in my eyes. It sprawls too much. Monsoon Wedding is contained to a few days, which helps for the narrative's structure and the audience's expectations of where they are in the movie and when it's going to end. All in all, this movie is an excellent example of non-Bollywood Indian cinema and is a fun--but not shallow--movie on the ties that bind us together, whether through love, family, or culture. Highly recommended.

IMDb link: http://www.imdb.com/title/tt0265343/

The Namesake (2006)

3/5

The Namesake is the sprawling tale of Ashoke and Ashima Ganguli as they move to America and raise a family. The movie was advertised as the story of their son Gogol and the pushes and pulls of both his American upbringing and Indian culture and tradition. He is in fact not the focus; rather it is about their entire family and the compromises that they must make living in two worlds. Sameer seems to have gotten more out of the movie than I did, likely because the story strikes a personal chord with him. Still, if one must be an Indian living in America to like this movie, then its audience pool is severely limited. I think it is a failing of the movie that I did not appreciate it more, as I know such a story can be more universal. Take My Big Fat Greek Wedding as an example; though it was drenched in Greek culture, most non-Westerners could relate to the kind of customs it depicted. Instead, this movie shows numerous Indian traditions without any attempt at explanation for non-Indians to understand or relate to. Oh well, at least there wasn't any song and dance in it.

The editing was a bit of a mixed bag for me. Most of the time I was disappointed by it, as it seemed to pick and choose random events in the lives of the Ganguli family. I never had a solid idea of where or when I was in the story. It would often shift abruptly to a different country or point in time, sometimes ten years in the future. What I did like about the editing was how the flashbacks were shown again in extended versions. It felt like a rite of passage; once we learned more about the family's growth in America, we got to witness more about their past. I liked the acting for the most part--Irfan Khan and Tabu stole the show as the parents Ashoke and Ashima. Kal Penn was decent, but neither complex nor subtle. I wasn't impressed with the writing, cinematography, or directing. I did like the music though. It's not a bad movie, but neither is it a good one ... unless perhaps you're an Indian living in America.

IMDb link: http://imdb.com/title/tt0433416/